7 Best Microphone Tips and Tricks for Best Recording
Microphone in simple words. Here you will find tips on various aspects of how to use microphones correctly. How do you select a microphone? Where do you point it? What are the tricks on the subject of microphones? Here you will find it.
Most musicians who want to record their own sound have to deal with microphones and the microphone. It is a wide field and needs some experience, not for nothing, there is the professional branch of a recording engineer.
But also as a beginner and advanced you can with a few tricks already a lot from your recordings. How many of the tips and tricks around microphones below you already know? Write us a comment at the end.
In many singers and speakers, one can observe how they exploit the proximity effect in microphones with a renaissance characteristic to sound “larger”. This close-up effect causes an increase in the bass in the recording and can therefore also be used to make kick drums or basses fatter. However, you have to be careful with other instruments as low frequencies become “fast”.
To get a nice recording of an acoustic guitar, you can use two microphones (in many cases even a single microphone, especially when the guitar ends in a full mix). A large diaphragm microphone can be hung on the guitar’s guitar, the second microphone, a small diaphragm, about 20-30 cm in front of the guitar in the direction of the 12th covenant.
As always, if you use more than one micro, you should pay attention to phase shifting. A simple rule to counteract any phase elimination is the 3-to-1 rule. If the first microphone is a handbread from the box, the second microphone should be three handbread away.
Band microphones can withstand large volumes or record them smoothly. Therefore, they are ideal for recording the overheads on drums. With a microphone with eight-directional characteristics, you can record both basses with the eight and get fantastic sounding drum sounds without overwhelming basins.
Of course, a well-stocked recording studio is a must-have for microphones such as a small diaphragm or large diaphragm capacitor, a small microphone or … Only: In many cases, the dynamic microphone is not only sufficient but also the first choice. Dynamic microphones are not only robust and can withstand very large volumes – the high-end versions such as the Electro-Voice RE-20 even bring a sound that resembles ribbon or condenser microphones.
Good microphones are expensive and if the microphone has more than one directional characteristic, it will not be cheaper. But if you can afford only one microphone, you are for example with a Rode NT2A or a Neumann U 87 AI best served. So you have the options a space with sphere characteristics, a vocal with kidney or as described here the overheads with the eight record. Three ways to use the money.
Any combination of microphone and instrument or singer has its own qualities and advantages. At best, you have the right microphone for every occasion. But: finding a working combination is an art in itself.
Depending on the desired sound, the distance from the sound source and microphone is decisive. If for example, it is a question of elimi nating the sound of the surrounding room or any sound source from the background, you should build the microphone close to the source. Generally one can usually work well with a distance of 5-15cm. The closer to the sound source, the more easier and more voluminous the resulting sound (proximity effect). The further away, the fewer ploppings.
In principle, you should always bring some experimentation when it comes to microphones. So you can get interesting sounds and effects, which can turn your final result into something special. Do you have more tips and tricks in stock and can give the other readers something along the way? We are looking forward to your comment!
Do you have more tips and tricks in stock and can give the other readers something along the way? We are looking forward to your comment!