Tips And Tricks

7 Best Tips For Mixing The Bass

7 Best Tips For Mixing The Bass

Does not your bass sound good on any installation? Is it too fast to get muddy on the bass. Here you will find 7 tips for better basses – from the right frequency range to enhanced harmonics and layering, to the dynamic processing of the signal.

There are many ways to accent the bass in your music. Here we present seven of them – most of the points are not about the wooden hammering method, simply boosting EQ low frequencies.

1. Frequency spectrum

A bass needs to be heard on a subwoofer as well as in a 5-Watt kitchen radio. Since the few speakers reproduce frequencies below 40 Hz, the main energy of the bass sound should be between 65 – 90 Hz. The bass may go for a little more, but also a bit higher in the frequency spectrum.

2. Different octaves

When a synthetic bass is used, it is a good idea to have a second oscillator play one octave higher than the other or to have a second bass. The higher bass sound should be much quieter than the deep mix, just so you can still hear it. With this technique, the bass is perceived in the bass frequencies as well as in the mids. The perfect plugin for free: Metric Halo Thump

3. Layering

Especially in the electronic field full and round waveforms such as sine or triangle are used, which have no or hardly overtones. In the case of such bases, a second bass can be used, analogous to the octaves, and the overtone-rich waveforms, such as the rectangle and sawtooth, can be used and mixed in silently. Here you can also use a real bass, which should normally be rich in overtones.

4. Distortion for more overtones

Another method to make the bass more audible without losing the wumms is the slight distortion with an overdrive or distortion. Such a distortion produces further harmonics which can also be heard on smaller or poorer systems.

5. Percussive Attack

By a percussive sound (a sound that has particularly prominent transients ), the bass can play better out of the mix. Here, you should make the added sound a bit “slimmer” by “fading” it. So the attack phases of the two sounds do not come into the enclosure. Software sampler with an envelope for the volume – free in our free VST plugins Section.

6. Exciter / Enhancer

Exciter and Enhancer are effects that add new harmonics to the audio signal. So the sound is full and the added or enhanced harmonics result in a saturation tone contributions in the upper bass range or even to the middle. Their frequencies lie precisely on the multiple of the dominant bass fundamental frequency.

7. Compression

High notes in the bass line tend to be more out of a mix than deep tones. With the help of a compressor, you can solve this problem. A good starting point is a ratio of 4: 1 and a threshold of up to -20 dB. Longer attack times make the bass crisper, since they allow the transients of the original signal to pass uncompressed.

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